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skip to content planet jive the latest r'n'r gigs and tributes primary menu home about classic r’n’r footage legends bios rising stars of jive rock’n’roll gigs contact pick of the gigs: may posted on june 6, 2018 june 6, 2018 by rock 'n' rollin' rick get your dancing shoes on! have a look and see if you can make any of our top picks for may… hot rod night ‘spring riot’ spring will have well and truly arrived for the motor enthusiasts of the legendary ace cafe london , so why not celebrate by dropping by to check out hiway 51? this band began playing together all the way back in 2012, since then they’ve had considerable success playing stripped down covers of 50s country and rock classics. the ace cafe consistently puts on a string of great events which makes the most of their rock’n’roll heritage whilst also appealing to lovers of fast cars, enter a raffle here to win tickets to more great events, like the great british tattoo show in london. where? ace cafe london, stonebridge. when? 2nd may 2018 from 6pm. entry is free. just for kicks rock’n’roll club hailing from the midlands town, daventry, the fast-paced retrobaits have certainly made a lot of ground since forming in 2014. in the matter of just a few years they have risen to become one of the busiest groups on the rockabilly circuit with bookings all over the country. the three pieces are signed to western star recordings who they’ve cut one record with so far and have even amassed a modest online following of international listeners. this rock’n’roll club convenes once a month and always sees an impressive turnout, making it well worth the trip. where? yaxley royal british legion, peterborough when? 7th may 2018 from 7:30pm. entry £3.50. hiam rock’n’roll club the south wales rockabilly 5-piece, memphis lee & the creepers hit the road on a huge tour this year taking in all corners of the uk. their stop at the hiam rock’n’roll club gives you a good excuse to drop in at this well established venue. taking their cues from the likes of elvis presley, eddie cochran and billy fury, this act’s fast and furious brand of traditional r’n’r is well worth experiencing live and you can guarantee that there’ll be plenty of support for them at this popular monthly event. where? hiam sports and social club, prickwillow when? 12th may 2018 from 7pm. entry is £8 for non-members. swinging ball two of the most energetic rock’n’rollin’ bands take to the stage here in what promises to be a night that will be impossible to forget. the swing commanders play a broad range of classic rock tunes, upbeat swing and jive, but it’s the way they play them that has furnished them with the reputation that they hold today. ‘energetic’ and ‘joyous’ are two words that have been used to describe them and with good reason. supporting them will be good rockin’ tonight, a rock’n’roll outfit that has been entertaining the world for nearly 20 years now. where? longfield suite, prestwych. when? 18th may 2018 from 7:30pm. entry is £15 in advance/£17 on the door. rock’n’roll riot a massive lineup of highly regarded performers will be playing at this special charity event raising money for research into the treatment of neuroendocrine cancer. top of the bill are the fantastic wildkatz who are supported by relentless, starlights, memphis riders and this little girl & dillicats. many of these acts exemplify the true spirit of rock’n’roll right the way from the wooden crate bothering days of skiffle through to the electrifying psycho-billy of the 80s.  where? mayfield family club, louth when? 21st may 2018 from 12pm. entry is £20 for adults otd or £15 in advance. under 16s £10 otd or £7.50 in advance. posted in rising stars of jive , rock'n'roll gigs roy orbison: rock’s candy coloured clown posted on june 2, 2018 june 6, 2018 by rock 'n' rollin' rick ‘the big o’, as he was often known, was a singular rock’n’roll artist whose influence can be seen throughout the history of popular music. when roy orbison broke into the mainstream the concept of rock’n’roll was quite rigid. the spirit of rock’n’roll was then synonymous with the sultry scowl of james dean, whose rebel without a cause had single-handedly popularised the notion of teenage rebellion and the hip-swinging sex-appeal of elvis presley, who came to fame at about the same time. at a time when rock’n’roll seemed to be settling into its firm masculine spirit, orbison represented a completely different side to the coin. instead of the strutting and macho demonstrating that was fast becoming the staple of the rising rock star, orbison’s stock-still performances, combined with his emotionally rich voice provided an alternative approach to rock, with his operatic voice often soaring far beyond any note that his contemporaries could have dreamed of reaching. orbison took a direct hand in the writing of many of his songs, co-writing a string of 22 hit singles between the years of 1960-66, most of which made extensive use of his three-octave vocal range. even before his life was dogged with tragedy, orbison wrote music that was tinged with sadness. vulnerability was his unique selling point, despite producers at the start of his career insisting that he would ‘never make it as a ballad singer’, this would be the style of song that he would become famous for. although he often took to the stage with an electric guitar (usually jet-black to match his outfit) his records would frequently feature the lush instrumentation of an orchestra, elevating his ballads beyond those of his peers. his first hit was ‘only the lonely (know the way i feel)’ in 1960 and typified the style of music that be his trademark over the course of his chequered career. orbison’s success, although stratospheric, was short-lived. the fast-paced, racy rock tunes of the british invasion drove orbison and his slower-tempo music out of the charts in the us. as orbison’s records began to fail commercially, his personal life also suffered a series of setbacks. he divorced his wife over a series of infidelities in november 1964, although they reconciled 10 months later their union was short lived. in june 1966, his partner’s life was cut short in a motorcycle accident , the loss of which sent roy into a depressive downturn – he threw himself into his work and, despite no longer releasing commercially successful material, stayed financially stable thanks to some smart real estate investments. this wasn’t the end of his woes though. in 1968, his home in tennessee burned to the ground, the flames taking his two older sons with it. despite these tragic setbacks, orbison was able to return to prominence, albeit not until nearly 20 years later. although he had by and large been forgotten by the a&r men of the music industry and the record buying public, his fellow still artists remembered the big o. numerous covers of his hits were released over this time, by performers as wide-ranging as van halen, don mclean and nazareth. his music made a complete cultural return to the spotlight when his hit, ‘in dreams’ was featured in david lynch’s film blue velvet . lynch had used the song without orbison’s permission and, although he was initially shocked by the use of the song in the film, he soon grew to appreciate the ‘otherworldly quality’ that the director had imbued the song with. the revival of interest in his music led to his re-recording many of his hits, as well as working on new music with the travelling wilburys and elo bandleader jeff lynne. he completed work on his last studio album, mystery girl , with lynne just weeks before his death of a heart-attack in 1988 at the age of 52. ever a man of mystery, roy orbison is said to have appeared, much like his hauntingly expressive voice, out of nowhere. perhaps fittingly, his music lives on today performed live around the world by a state-of-the-art hologram with a full orchestra providing the epic instrumentation that his music always demanded. posted in classic r'n'r footage ,

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